Like really sucked. I had to read a book for a paid review that I wanted to murder by the time I finished it. Maybe not to the point of burning a book (I…might have done that once) but I spent the whole week trying to get through it, and then taking the bitterness and making it into real words. *Shrug*
I started a bunch of books the week before last and didn’t get through them, so maybe this week will involve a little of that (though I have another book to read for the same publication, so who knows). I just tried reading Speak Gigantular for the fourth time (and even then, I was only on the third story) and gave up. It’s going back to the library.
SO yeah, all kinds of book woes.
Instead, let’s talk about music!
I mean, this was one of my tweets last week:
We had our first rehearsal for March’s show last week, and the theme is Page to Stage. It’s gonna be hella fun, even if I’m not in most of the show (since I’m also rehearsing with two different choruses—the second was just because they’re doing Faure’s requiem and I can’t live if I know there’s a group performing it and I’m not in it).
So anyway, getting our music for that rehearsal spurred me to do a back-to-back watching of A Very Potter Musical and A Very Potter Sequel. It got too late to watch A Very Potter Senior Year. I love StarKid so much, even though (ahem) I had never watched either of these and still haven’t seen Senior Year. I’d heard plenty of the music, of course, since more than half of our cast is very big on HP.
Not familiar with this magic morsel of marvelousness? Here’s the opening number of the original:
(Turn on autoplay in youtube to watch the whole thing!)
Meanwhile, anytime I drive my husband’s car, I listen to the Broadway station on the preset page he made for me. They played one of Josh Groban’s songs from The Great Comet (AKA Natasha, Pierre, and the Great Comet of 1812) and it was REALLY GOOD. I mean, I love Josh’s voice, but I remember his acting chops of long ago. Just from listening to this one song, I could tell they’ve improved. (Also, I’m really glad he’s not singing weird pseudo pop anymore.) I can’t wait to see the show.
Another thing I’ve been doing this week? Discovering deep cuts in my iTunes. It’s like meeting a friend for the first time. Like, I say I love Imelda May, and I have all of her albums, but I tend to mostly listen to Tribal. But “End of the World” from her first album came on while I had iTunes on shuffle, and I fell in love. I didn’t play it on repeat like I have been known to do, but…you know, there’s still time.
Other rediscoveries included David Bisbal’s “Digale,” which. Goddamn.
But, you know, I have 4,500 items in my iTunes library, so it’s no surprise there are things I might have only listened to once (like right now it’s playing “General Zod” from Man of Steel because hubs auto buys Zimmer soundtracks and I tend to steal them). I’ll do more to not skip things that I should know at least a little.
This is already getting long but there’s one more thing that happened this week: They announced two of the people cast in the live-action Lion King. I’m happy to hear they got James Earl Jones back, but the casting of both him and Childish (ugh, really) means something very significant: this is going to be more of the cartoon than the Broadway show. And that sucks a lot. Not that I don’t love the animated feature, but the musical is so much more grand, and lush, and…well. African.
Lebo M., an exile from South America, helped write some of The Lion King (the chants, mostly) and then became pretty much the man in charge of turning a relatively musically flat cartoon into a 2.5 hour stageplay. He extended “Circle of Life”, wrote some amazing chants and choral pieces, and helped Tim Rice and Friends work on the solo songs that bring depth to the characters and breadth to the story. Songs like “They Live/He Lives In You” and “Shadowlands” and (sobbing) “Endless Night.” (Keep in mind, the musical version was written after Apartheid was dismantled and all of that Zulu music is joyous AF.) The Lion King is still running on Broadway (it opened in 1997) and has been on multiple national tours. So yeah, there are people who couldn’t get to New York who have been able to see it, but it still doesn’t have the reach that putting it to film could. The fact that neither of the announced actors has the singing chops necessary to do the additional music provided them in the stageplay indicates that Disney is not going that route.
What have you been reading and listening to? I think I need to do another Romeo and Juliet adventure to clear my head before I try anything new.